This strip features my ghost boy Timothy, and introduces his sister, Gabriella.
My roommates were particularly enthusiastic about this character, whose name is Timothy, and asked me to draw him a sequel.
A lot of Internet advice in creative fields runs along the lines of “Practice. And then practice more.” While not inaccurate, this advice doesn’t specify much as to how one should practice–how often? What specific aspects of the work should be practiced most? What sort of improvement can be expected or hoped for?
Truth to tell, that’s because it’s different for everyone. But reading the advice to “practice” with no further elaboration can be discouraging, so I’m going to share my practice method for drawing.
Every morning, as soon as I wake up, I fill a page in my sketchbook. At the top of the page is written the area I need to work in for the day-whether it’s hands or faces or a specific character or flowers, anything I feel needs improving. I fill the page up with practice. They aren’t large pages, so truth to tell that isn’t a massive amount of practice per day, but it is consistent. That’s enough that I’ve seen vast improvement between my work at the beginning of the summer as opposed to the end.
Once the page is filled, I start with the breakfast and putting on socially acceptable clothes and the other things that have to be done for a day to be productive.
I also have a file on my tablet for a digital sketchbook, where I work on character designs and drawing things I see during my day and ideas. I draw in that one during church, pretty often. I’m not super great at sitting still and just listening.
Occasionally this means jotting down notes in between doodles, or allowing the friend next to me to write down the name of the Pokémon he thought I was drawing, but that’s all right.
Unfortunately, all this practice is easiest to accomplish during a summer of relatively few responsibilities. Hopefully I can maintain some of those habits when classes start again.
A little comic I doodled about my four-times-yearly struggle. Those in the audience who have hair will likely relate.
And yes, I write my to-do lists on my forearm.
too close to the sun, and
A stream of
a father’s love.
one of Poseidon’s people,
Did they wonder
at all the things
The story doesn’t say.
was a boy.
They turned him
to a lesson.
than most can claim.
Story time. I actually met Richard Paul Evans, author of this and other amazing books, this past spring at an education summit he spoke at. His talk was all about what he wishes he’d known in middle school, but I’m in college and found it relevant and inspiring.
Why was I, the arts major, at an education summit? My grandparents were running it.
But that’s another story. Let’s talk about the story I’m reviewing.
If the best books are the ones that have you desperate for someone to rage with about the ending, this probably outranks even that most infuriating of cliffhanger books, Mark of Athena.
They both have Greek deities’ names in the title. Funny coincidence.
But it isn’t just the cliffhanger that makes this book memorable. Without a story of substance and characters worth caring for, a cliffhanger is just a cheap trick. This one was the real deal, especially regarding the characters. Mr. Evans has a particular gift for creating diverse, relatable characters.
And then putting them through the worst a twisted imagination can throw at them, because why not?
All the characters, even many of the supposedly bad guys, were relateable in their own ways. We may not have agreed with them, but we understood why they did what they did and it didn’t feel like it was just for the plot. It’s difficult to do that with a cast that large. And then to have the main ones all have their own arcs too? Pretty good.
I loved it. Loved the characters, at least, which lead to loving the story. I may have been sorely tempted to throw the book at a wall at the incredibly awesome but ambiguous end, but I loved it.
I’ll probably talk more about what exactly was awesome about the end, along with speculations about the last book, after more people have had time to read it.
Today’s drawing: Not an inktober piece, but there was this kid asleep at the library while I was studying and I just couldn’t resist a quick sketch.
Inktober is a bit weird. All the challenge asks is to make an ink drawing a day, and yet, because of the month this occurs in, it’s taken as a given that most of the drawings will be odd or unsettling in some way.
I’m pretty much okay with that, but it still makes me wonder why being scared is so popular this time of year. Or not being scared at scary things. I’m not sure which it actually is.
Part of it is bravado, I think. Telling the world we aren’t scared of anything, when really we’re terrified. But there’s more to it. Welcome To Night Vale, Lovecraft, and all the other scary stories and storytellers don’t become popular simply by being creepy. They say something with that fear. They all say something different, but they all say something.
I had the chance to see Miss Peregrine’s Home for Peculiar Children last week. It’s a good example of that. It’s about being different, and how that’s okay, and it’s about being brave for the people we care about. Courage doesn’t happen without fear, after all.
Side note: the movie didn’t follow the book exactly, but it stayed true to the heart of the story, which I think is more important. Also there was a skeleton army, which was probably inevitable when Tim Burton got handed a character who could animate the dead. It was awesome.
Anyways, try not to get too scared this month. If you want to see the rest of my Inktober drawings, check out my Twitter, @enoughdragons or my tumblr, @onedragontorulethemall.